Tari Bali

Dance of Bali The basis of Balinese culture is dance that is performed during temple festivals and ceremonies in the cycle of life and death. What's happening in hotels and restaurants for tourists is only a small part of what Balinese dance can predlozhit.S long Balinese history is recorded in writing, his dance there. The ninth century inscriptions called Wayang (puppet theater) and Topeng (mask dance), and the main entertainment of the day. Gamelan music goes back even further on the culture of Dong Son bronze of the first millennium BC. Along with dance trance, many Balinese dance heritage is really going on with the Balinese Java.Istoriya tantsevPosle Majapahit soldiers conquered Bali in the 14th century, Javanese mini principalities and courts soon appeared everywhere, thus creating a unique blend of the court and peasant culture that Bali - is very complex, dynamic and alive. The accompanying narrative for dance and drama to a large extent based on court stories from pre-Majapahit Java. Even the Indian epics, another favorite scenes, especially the Javanese Wayang use, complete with long quotations from the poetry of the ancient Javanese Kakawin So Javanese culture that disappeared from Java following Islamization in the l6th century, still preserved in Bali, "Bali forms," ??which became a classic Balinese kultury.Tem however, colonization led to the fall of classical Bali. In the rural courts defeated and the new rulers of the earth, the center of creativity shifted to village associations, as well as the development of tourism. In the 30s and 50s were particularly fertile decades, while the old story has led the theater survived, lively solo dances appeared everywhere, accompanied by a new, dynamic music called gong kebyar. This trend continued into the 60s and 70s with the creation of colossal ballet sendratari, representing the ancient Indian and Javanese stories adapted to the needs of modern auditorii.Tantsy religiyaBaliysky and dance are inseparable from religion. A small supply of food and flowers must precede even dances for tourists. Before performing, many dancers praying at their holy family, referring to the saint "taksu" (inspiration) from bogov.V this rural tradition, people say that peace and harmony is dependent on the protection of the gods and ancestors. The dance is in this context can perform a number of specific functions: a) as a channel for visiting gods or demonic gods, the dancers act as a sort of living repository. These include trance dancing in San Hyang Dedari, with the girls in a trance, and Sang Hyang Jaran, fire dance, and b) as a welcome for visiting gods, such as the Pendet, Rejang Sutri and dances, and c) as entertainment for visiting gods, such as Topeng and Wayang.V some of these dances, dances the role is so important that it is actually the key to the meaning can be found in the ritual. In wayang performances, puppet master is often regarded as "priest" holy consecration vodoy.Tak well as their use in religious ceremonies, dance and drama also have strong religious content. It is often said that the drama is the preferred medium in which the tradition of Balinese cultural transmission. Episodes is usually associated with religious ceremonies that take place during the wedding does wedding story to the ritual death is a visit to "hell" in the characters. Clowns (penasar) comment in Bali, interspersing their jokes with religious and moral commentary on the history of the narrative is to use the Kawi (Old Javanese). Typical posture of Balinese dance has bent legs half of the body is shifted toward the elbow stronger and lowered in a gesture that shows flexibility of the hands and fingers. The body is shifted in symmetry with the weapon. If the arm to the right, shifting to the left, and naoborot.Pomimo costumes, male and female roles can be distinguished mainly a selection of these movements. Woman's legs are bent and pressed against each other, legs open to reveal a sensual comprehensive on the back. Men's legs and shoulders pulled up convex, with a more pronounced gestures, giving the impression of movement sily.Tantsevalnye follow each other in a continuous gesture without interruption and without a jump (with the exception of some demonic or animal characters.) Each basic posture (agem), such as open and holding the curtain fabric, developed in another agem through a sequence of secondary gestures or tandang. The transition from one series to another, and the change from right to left and vice versa, characterized by short jerky emphasis called angsel. Expression of complete facial expression: tangkep. Even his eyes dancing, as can be seen in the profits and Trunajaya dancing. Dancing on BaliTantsy is the main form of Balinese culture and art held in the main church festivals and ceremonies, especially for the cycle of life and death. He taught and kept secret in the villages, halls and palaces, the dances that tourists witness in hotels and purpose-built stages only a small part of the dance scene, though most of the dancers came from the village grupp.Kecak tantsaEgo name comes from the sound of "SAC", pronounced " choke, "which he sang in a set of interrelated models that are similar to the rhythmic patterns played on the gamelan. The modern form of Kecak originated from Gianyar village Bedulu in 1930 as a result of the German order of a foreign artist, Walter Spies. He wanted to create a performance that may be available for a small circle of international artists, as he himself, as well as friends and guests ostrova.Sovremennoe Kecak performance is sensational spectacle. Hundreds barechested people sit in a circle with a flickering kerosene lamp in the middle. "Cak - Cak - Cak", begins to sing, and people start dancing, swaying to the rhythmic reflection of his own voice. Hands raised to the sky, bodies shaking in unison, the choir performs a highly structured vocal music for an hour. This unique dance has the title of the most popular dance in the dance Bali.Barong "The Lord of the Forest" and magical defense of villages Balinese, Barong is a mythical, half shaggy dog, half-lion creature with a long mane, fantastic fangs and bulging eyes. He is driven by two men who maneuvered with a fancy suit and mischievous movements to express their cheerful nature. The enemy is the Barong Rangda, the evil witch who rules over the spirits of darkness. Barong dance symbolizes the eternal struggle between good and evil. Barong and Rangda The fight is also the theme of traditional narrative performed in temples and takes many forms. Barong bursts fall on the gamelan, jump around a bit and enjoy the recognition of his supporters - a group of men holding Chris. Then ferocious Rangda appears lolling her long tongue, baring her threatening fangs, her neck draped with human entrails ... not krasivo.Poedinok begins. Each enemy is trying to overcome the other magical powers, but when things do not look too good for the Barong, supporters attack Rangda with krises reduce or stop it. In response, Rangda have them all in a trance, with its mystical powers and make them hit themselves with arms in their hands. Fortunately, Barong possesses magic that is strong enough to captivate krises from harm men. This event will be part of the dance, gamelan rings madly and intensely as people rush back and forth, waving krises in a frenzy, and sometimes even rolling on the ground in a desperate attempt to stab himself. Often it seems that a plot to scare the audience in the front row! Eventually, Rangda will retire, defeated. Again, good will reign over zlom.Legong KeratonSamy graceful of Balinese dances, the epitome of classical female Balinese dance. Legong, as a dancer, as you know, often young girls of eight or nine years, rarely older than her early teens. It was first established in the 18th century and is usually the first dance on training for beginners. There are many forms of Legong, the most frequently performed dance is Legong Keraton or Legong is very stylized Legong dvortsa.Istoriya and symbolic, and you need to know the story before you actually watch the show. Legong is composed of three dancers - two legongs and their "attendant», condong. Legongs the same costumes in gold brocade, which is so closely linked that it is a mystery so excited and rapid movement can be made. With elaborately made-up face, plucked eyebrows, which are safely repaint and hair adorned with frangipanis, the dancers are a fascinating story of the first prisoner takes dvizheniya.Korol Rangkesari. When her brother comes to free her, Rangkesari asks the king to release it and not go to war. The king refuses, and the chances of a bird carrying a bad omens on the way to battle. However, it ignores the bird meets the brother Rangkesari, and thus, killed in boyu.Roli dancers can vary depending on the narrative. Nevertheless, the dance usually begins with the king to fight, and ends with the emergence of avian equivalent of poleta.BorisMuzhskoy Legong, Boris is a warrior dance. Performed with an energetic and warlike fighting spirit, a dancer must give Boris thoughts and feelings of a soldier preparing for action, as well as the enemy in battle. This dance is performed solo and requires a lot of energy, spirit and skill. Change the mood of a warrior should be shown through facial expressions and movements, he should be able to portray the nobility, pride, anger, skill and a little regret. Boris is one of the most complex of all the Balinese dances.

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